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Posts tagged: colonialism

The Jews’ role in the commercial [slave trade] process shows them to be neither better nor worse than others in an era when the morality of slavery was a nonissue. Color was not a criterion: Whites also bought and sold other whites, and Africans enslaved Africans. Slaves were coin in every realm, and Europe’s seagoing nations bid for and zealously guarded the right to sell Africans to a Christian New World. As the historian Eli Faber documents in Jews and the Slave Trade, after the demise of New Holland, Jewish involvement in the trade was negligible.

edward kritzler, jewish pirates of the caribbean (chapter 6). i mean. not that i necessarily assume any of the things he is saying to be a total lie? i can buy that jews on either side of the atlantic were the same as anyone else in those spheres when it came to the slave trade, sure. but i am… not really convinced that color had NO IMPACT whatsoever on the shape slavery took for the slaves in question, and also i think it’s disingenuous to be like “hey everyone had slaves” when slavery, while horrific and just about the worst thing possible in any manifestation, did not mean the same thing in all countries at all times to all enslaved peoples. and the thing is, this guy has been glossing over the horrors of south american colonization for so long (this is on page 136) that at this point this just reads like so much ass-covering, like, “oh yeah the slave trade, um, that was going on also, LET’S GET BACK TO HOW AWESOME THIS SEPHARDIC JEW RAISED IN HOLLAND WAS.” which, i mean, moses cohen henriques, very interesting guy. he was apparently integral in a fuckton of goods being stolen from the spanish empire, who can possibly be AGAINST stealing from the spanish empire, amirite? but… meh. MEH I SAY. you’re not pretending to be an academic, if you can come down on the side of “these dudes were baller” you can come down on the side of “SLAVERY WAS BAD” and not this “the morality of slavery was a nonissue FOR THOSE DOING THE ENSLAVING” bullshit. ugh.

(via isabelthespy)

In the slums of Port Louis, they are waiting to return. The Chagossians lost their homeland and their life in a modest paradise over forty years ago. They are a people not allowed to be one, for then what has happened to them would be an injustice, a criminal act by a colonial power, a dirty deal in the glittering ocean. For three million pounds the British Crown granted Mauritius independence and retained the archipelago. For one dollar a year, it leases the islands—for a initial period of fifty years—to the greatest of all countries in the brotherhood of nations. Now there is a military base in the middle of the Indian Ocean…No one mentions the five hundred families that were forcibly deported and declared to be immigrant workers. Instead British diplomats assure the world that the islands were previously inhabited…The Chagossians fight for British passports, access to the courts and ultimately for the right of return. But it is taken away from them again. The Queen sins an agreement, another relic from colonial times; and the Chagossians’ homeland remains a restricted zone, an navy and airforce base. Its name: Camp Justice.

-from ‘Diego Garcia’, from Judith Schalansky’s Atlas of Remote Islands: Fifty Islands I have Never Set Foot on and Never Will, translated from the German by Christine Lo and published by Penguin Books, 2010 

this book is one of my favorites.

see also the wikipedia article on the depopulation of Diego Garcia

(via lovebelikeawhirlwind)

trufax: i googled diego garcia after i saw transformers 2 when i found out it was a real place.  and it’s really a military base on a gorgeous island paradise, but is also a brutal imperial relic.  but hey, at least we didn’t test nukes there, right?  right?  right.  so we’re only keeping the natives off their island because, you know, we can.  //yaaay colonialism//.

“Cultural Appropriation.”

bossymarmalade:

butwithawhimper:

I hate when people talk about “Cultural Appropriation.”
Like freaking out on hipster white chicks for wearing a “native american” headdress.
If you’re going to pull that, then don’t you dare wear clothes that were made in a textile factory, because those originated in England, and if you’re not from there, then you should get bitched at every time you wear a shirt made in a factory.

Explain to me how that is justifiable again?

You’re ignorant of history.  The clothing industry has its roots in India, which is where most Europeans in the pre-industrial era traded for textiles.  England got there in 1600 through the British East India Company and over the next 200 years proceeded to plunder and then destroy the Indian textile industry in order to make room in the global market for their own mechanically-produced products, which still couldn’t compare with the Indian products in either quality or price.  So the English set about making rulings that Indian cloths could only be made of low-quality materials, saving the better materials for British use, and mutilating Indian artisans who protested unfair sanctions (see: the 1690-1721 Calico Acts).

Next time you assume it’s lily-white European men who are solely responsible for the good things about the way we live today in the modernized West, do your homework first.  They didn’t pull clothing and mathematics and architecture and philosophy out of thin air, you know.  They mostly stole it.

jhameia:

ardhra:

thesavagesalad:

madamethursday:

[Image: A dark skinned Desi woman in a steampunk outfit with a bright teal and gold collared choli (midriff bearing top) and pants that end in spats with a bright red and gold cloth that wraps around the character from shoulder to waist at knee length reminiscent of a dupatta with a black hat, gold colored pointed toe shoes, with a large choker-like necklace with green jewels, dangling green jewel earings and a jeweled green and gold bindi. She is holding a cigarette in one hand with a speech bubble that says, “Well, shit”.]
torayot:

nextian:

shoomlah:

Multiculturalism for Steampunk is starting up a weekly art challenge, and it looks promising.  SO EXCITED.  I’ve had a bunch of ideas for non-Western steampunk outfits floating around in my head, and it’s nice actually having a weekly deadline to motivate me to finish some of them.This is pretty subtle in its steampunkery (read: no extranneous metal bits), but I was just trying to bring in a few western/Victorian elements to traditional Indian clothing- legomuttoned sleeves, the double breasted, collared choli, and adapting the churidar into buttoned spats.…Also a sweet hat.-C

I think there are some colonialist questions that get raised when you incorporate specifically British Victorian elements of couture into Indian fashion? A few?
Buuuuuuut I would fight a man on a grizzly bear for this lady’s comic.

I am so glad you said this. I thought I was alone in this. British Empire, anyone? Company Rule? British Raj?
Dear internet, I shan’t assume that you all know about the British Empire. I know not everyone has the same education and it’s problematic to assume this.
But know that British rule in India lasted from around 1757 to about 1948, and that the relationship between the coloniser and colonised is extremely complicated, and still very much has real lived effects today. Sure, the outfit and character look beautiful, but I just don’t think you can go around mashing up Victorian fashion with Indian clothing just for surface steampunk elegance without encountering some problems. I can appreciate the visual qualities, but the history and meaning causes some concern.
/inb4 people start screeching that I am ~*oversensitive*~ and can’t enjoy anything :-{D

Reblogging for Torayot’s commentary. They are so NOT oversensitive.
While the idea is nice, since the artist is a white/non-Indian/non-Desi person, it is something to think about before uncritically praising this picture. 
I love non-European steampunk (art and literature), but it seems like so many people think throwing in Victorian English/U.S.ian/Western motifs, clothes, and other things is somehow a requirement, that it doesn’t count as steampunk if there aren’t spats or Western style hats and other things, that it doesn’t count if it doesn’t take place in the 1860’s to 1930’s in the West.
And this is problematic given the history of colonialism and it’s ongoing impact on the world. 

You know, not gonna lie- this is mega pretty. I see that the artist is trying here and it is great the steam punk is going beyond being white. But you gatta be incredibly mindful of incorporating Victorian elements to an identity which was harmed by the Colonialism for centuries. It’s possible to do steam punk without it being eurocentric in styles and all and ugh uhg
The commentary summarises my feels better tbh. But I do like this picture.

Yeah, this all just assumes that Victorian fashions didn’t already influence Indian norms of dress & comportment, which they did in a big way. And the British appropriated the fuck out of the cultures of all the societies they colonised. Where do you think they got their fabrics from? What exactly do you think “paisley” is?
Also, nobody would ever wear a choli with chudidar paijama like that.

When I saw “Multiculturalism for Steampunk” that was ALL I NEEDED TO KNOW. Considering that the challenger’s idea of “multiculturalism” appears to be “APPROPRIATE MIX UP ALL THE THINGS! … respectfully” (her idea for a Cixi cosplay involved a corset on a hanfu, for chrissakes), I’m very not surprised that a white artist inspired by this challenge would put together Victorian English and Indian fashions together in a way which is so obviously Euro-inspired.
I wish I saw more steampunk that DIDN’T immediately scream out “INSPIRED BY EMPIRE” but hey. 
Anyway, commentary is all awesome. <3

“the sun never set on the british empire, because god didn’t trust us in the dark.” - via warren ellis, source unconfirmed
it is nice to see brown skin instead of just brown suits and beards.  i get tired of steampunk nearly always manifesting as ‘put some brass on it’, it being sepia, old timey, and the white west.  always the lone ranger, never zorro.  always industrial, never post-slavery.  always victorian, never baroque.  always tesla, never da vinci.  (or archimedes!  steampunk odyssey, plz.)

jhameia:

ardhra:

thesavagesalad:

madamethursday:

[Image: A dark skinned Desi woman in a steampunk outfit with a bright teal and gold collared choli (midriff bearing top) and pants that end in spats with a bright red and gold cloth that wraps around the character from shoulder to waist at knee length reminiscent of a dupatta with a black hat, gold colored pointed toe shoes, with a large choker-like necklace with green jewels, dangling green jewel earings and a jeweled green and gold bindi. She is holding a cigarette in one hand with a speech bubble that says, “Well, shit”.]

torayot:

nextian:

shoomlah:

Multiculturalism for Steampunk is starting up a weekly art challenge, and it looks promising. SO EXCITED. I’ve had a bunch of ideas for non-Western steampunk outfits floating around in my head, and it’s nice actually having a weekly deadline to motivate me to finish some of them.

This is pretty subtle in its steampunkery (read: no extranneous metal bits), but I was just trying to bring in a few western/Victorian elements to traditional Indian clothing- legomuttoned sleeves, the double breasted, collared choli, and adapting the churidar into buttoned spats.

…Also a sweet hat.

-C

I think there are some colonialist questions that get raised when you incorporate specifically British Victorian elements of couture into Indian fashion? A few?

Buuuuuuut I would fight a man on a grizzly bear for this lady’s comic.

I am so glad you said this. I thought I was alone in this. British Empire, anyone? Company Rule? British Raj?

Dear internet, I shan’t assume that you all know about the British Empire. I know not everyone has the same education and it’s problematic to assume this.

But know that British rule in India lasted from around 1757 to about 1948, and that the relationship between the coloniser and colonised is extremely complicated, and still very much has real lived effects today. Sure, the outfit and character look beautiful, but I just don’t think you can go around mashing up Victorian fashion with Indian clothing just for surface steampunk elegance without encountering some problems. I can appreciate the visual qualities, but the history and meaning causes some concern.

/inb4 people start screeching that I am ~*oversensitive*~ and can’t enjoy anything :-{D

Reblogging for Torayot’s commentary. They are so NOT oversensitive.

While the idea is nice, since the artist is a white/non-Indian/non-Desi person, it is something to think about before uncritically praising this picture. 

I love non-European steampunk (art and literature), but it seems like so many people think throwing in Victorian English/U.S.ian/Western motifs, clothes, and other things is somehow a requirement, that it doesn’t count as steampunk if there aren’t spats or Western style hats and other things, that it doesn’t count if it doesn’t take place in the 1860’s to 1930’s in the West.

And this is problematic given the history of colonialism and it’s ongoing impact on the world. 

You know, not gonna lie- this is mega pretty. I see that the artist is trying here and it is great the steam punk is going beyond being white. But you gatta be incredibly mindful of incorporating Victorian elements to an identity which was harmed by the Colonialism for centuries. It’s possible to do steam punk without it being eurocentric in styles and all and ugh uhg

The commentary summarises my feels better tbh. But I do like this picture.

Yeah, this all just assumes that Victorian fashions didn’t already influence Indian norms of dress & comportment, which they did in a big way. And the British appropriated the fuck out of the cultures of all the societies they colonised. Where do you think they got their fabrics from? What exactly do you think “paisley” is?

Also, nobody would ever wear a choli with chudidar paijama like that.

When I saw “Multiculturalism for Steampunk” that was ALL I NEEDED TO KNOW. Considering that the challenger’s idea of “multiculturalism” appears to be “APPROPRIATE MIX UP ALL THE THINGS! … respectfully” (her idea for a Cixi cosplay involved a corset on a hanfu, for chrissakes), I’m very not surprised that a white artist inspired by this challenge would put together Victorian English and Indian fashions together in a way which is so obviously Euro-inspired.

I wish I saw more steampunk that DIDN’T immediately scream out “INSPIRED BY EMPIRE” but hey. 

Anyway, commentary is all awesome. <3

“the sun never set on the british empire, because god didn’t trust us in the dark.” - via warren ellis, source unconfirmed

it is nice to see brown skin instead of just brown suits and beards.  i get tired of steampunk nearly always manifesting as ‘put some brass on it’, it being sepia, old timey, and the white west.  always the lone ranger, never zorro.  always industrial, never post-slavery.  always victorian, never baroque.  always tesla, never da vinci.  (or archimedes!  steampunk odyssey, plz.)

searchingforknowledge reblogged zorawitch:

Thank you, Europe, for revolutionizing the world with one simple idea: &#8220;What if we just enslaved everybody and took all their stuff?&#8221;
&#8212; thorned

joga-luce:

[image of a scruffy owl glaring at the camera with one eyebrow raised]
[image of the same owl glaring straight into the camera from much closer]
yellowpaint20 :: omg
mrruffin93 :: normally owls creep me out, but this one actually made me laugh

searchingforknowledge reblogged zorawitch:

Thank you, Europe, for revolutionizing the world with one simple idea: “What if we just enslaved everybody and took all their stuff?”

thorned

joga-luce:

[image of a scruffy owl glaring at the camera with one eyebrow raised]

[image of the same owl glaring straight into the camera from much closer]

yellowpaint20 :: omg

mrruffin93 :: normally owls creep me out, but this one actually made me laugh

Except that the Nazis weren’t directly besieging all of those countries in 1941. It was because of them (and the US) that Britain was able to defy the Nazis until the Japanese pissed off the US enough to actually be involved in the party. That the ‘damp little island’ could get such an empire in the first place is pretty awesome, let alone being the sole power aside Russia to tell Hitler to GTFO.

crimsonbubbles

way to miss the point, dude.

england’s economic and military exploitation of their colonial holdings, which helped them stand up to the german war machine, may have been arguably good //for europe//?  but what about //for those same imperialist holdings//?  oh right, their exploitation doesn’t matter morally because england needed the resources.  ends and means, brah.

imperialism: it’s pretty awesome!

torayot:

esmeweatherwax:

torayot:

whatfreshhellisthis:

Haaaa~ This amuses me in a bitter way.
Oh, Britain. What colonial, genocidal douchefucks we are.

My white English ex was very proud of the British Empire. It took a while to talk him down, and even then he felt he deserved all the cookies for not being as racist as the rest of his family.

My white English ex honestly had NO clue about the shared history of England and Ireland. I made him watch Michael Collins, The Wind That Shakes The Barley and read about the Famine etc. He got a bit of a shock. He thought the British Empire was just a bit mean to people, not actually evil.

lolsob @ “just a bit mean to people”
really
I mean
really

i&#8217;m sure it&#8217;s as old as the actual empire, but i died when i first heard, via warren ellis, &#8220;the sun never set on the british empire because god didn&#8217;t trust us in the dark&#8221;.
obvs, as an american, i Always Knew that the british empire was awful, but it wasn&#8217;t until later than i found out they were also awful to people other than white virginians, and it was worse than just taxation without representation.

torayot:

esmeweatherwax:

torayot:

whatfreshhellisthis:

Haaaa~ This amuses me in a bitter way.

Oh, Britain. What colonial, genocidal douchefucks we are.

My white English ex was very proud of the British Empire. It took a while to talk him down, and even then he felt he deserved all the cookies for not being as racist as the rest of his family.

My white English ex honestly had NO clue about the shared history of England and Ireland. I made him watch Michael Collins, The Wind That Shakes The Barley and read about the Famine etc. He got a bit of a shock. He thought the British Empire was just a bit mean to people, not actually evil.

lolsob @ “just a bit mean to people”

really

I mean

really

i’m sure it’s as old as the actual empire, but i died when i first heard, via warren ellis, “the sun never set on the british empire because god didn’t trust us in the dark”.

obvs, as an american, i Always Knew that the british empire was awful, but it wasn’t until later than i found out they were also awful to people other than white virginians, and it was worse than just taxation without representation.

name-redacted:

so-treu:

claytoncubitt:

The Black Irish of Montserrat - Irish accents in the Caribbean (thanks Laura!)

A Radharc report from 1976 about the Black Irish of Montserrat. Irish people exiled by Cromwell and African slaves arrived on Montserrat at about the same time.”

wow.

WHITE WASHED!

Whilst Montserrat is the only country outside of the Republic to officially recognise St. Patricks Day as a national holiday, the Irish have a really, really shitty history in the rest of the Caribbean.

Many Irish people went to the West Indies as Endentured Slaves, and whilst conditions and restrictions were relatively similar, they weren’t physically owned by the Planters and were free to leave after the negotiated time span. Though they could be bought and sold, it was merely their labour which was available, not their person. As they were White, however, they were often given the easier jobs such as cleaning and nannying, so as to not have too many dark faces around the house.

They were also quite often at the very front line of any force sent to quell Slave rebellions. They were particularly noted for their brutality towards the Maroons.

dopegirlfresh:

liquornspice:

so-treu:

claytoncubitt:

The Black Irish of Montserrat - Irish accents in the Caribbean (thanks Laura!)

A Radharc report from 1976 about the Black Irish of Montserrat. Irish people exiled by Cromwell and African slaves arrived on Montserrat at about the same time.”

wow.

awwwwesome!!!

this is dope.

happy saint patrick’s day from 1976.

Imagine this in a British accent like this is a BBC documentary. Every time I have trouble believing any news, I think of it in a British Dude’s voice and it seems like the ONLY AND HOLY TRUTH for me, I suggest you should try doing this too.
This tried and tested method is brought to you by 200+ years of colonialism in the Indian Subcontinent.
Suddenly the entire sweep of our written history was clear to me. I was reading the West’s view of itself through the degradation of my own past. When historians wrote that the king owned the land and the common people were bound to it, they were saying that ownership was the only way human beings in their world could relate to the land, and in that relationship, some one person had to control both the land and the interaction between humans.

And when they said that our chiefs were despotic, they were telling of their own society, where hierarchy always results in domination. Thus any authority or elder is automatically suspected of tyranny.

And when they wrote that Hawaiians were lazy, they meant that work must be continuous and ever a burden.

And when they wrote that we were promiscuous, they meant that lovemaking in the Christian West is a sin.

And when they wrote that we were racist because we preferred our own ways to theirs, they meant that their culture needed to dominate over other cultures.

And when they wrote that we were superstitious, believing in the mana of nature and people, they meant that the West has long since lost a deep spiritual and cultural relationship to the earth.

And when they wrote that Hawaiians were “primitive” in their grief over the passing of loved ones, they meant that the West grieves for the living who do not walk among their ancestors.

Haunani-Kay Trask, “From A Native Daughter”

(via anarchafemikazebomb) (via nezua)

Before our white brothers arrived to make us civilized men,
 we didn’t have any kind of prison. Because of this, we had no delinquents.
 Without a prison, there can be no delinquents.
 We had no locks nor keys and therefore among us there were no thieves.

When someone was so poor that he couldn’t afford a horse, a tent or a blanket, 
he would, in that case, receive it all as a gift. 
We were too uncivilized to give great importance to private property.

We didn’t know any kind of money and consequently, the value of a human being
 was not determined by his wealth.
 We had no written laws laid down, no lawyers, no politicians, 
therefore we were not able to cheat and swindle one another.

We were really in bad shape before the white men arrived and I don’t know 
how to explain how we were able to manage without these fundamental things
 that (so they tell us) are so necessary for a civilized society.



John (Fire) Lame Deer
, Sioux Lakota, 1903-1976

(via chocolatvixxxen, nativeskins) (via pinkmatter)

the realest thing I’ve read all day. it’s like thoughts reverberating from my mind to tumblr. ashe!

(via wombamnesia) (via ihatethismess) (via gonnaruinyrshoes) (via aqrima)